2013 - The Year That Was

2013 was an interesting year in many ways. There was plenty of opportunities to take interesting pictures: I shot Batman and Spiderman, models, dancers, rock bands, a monster clown, sports, dinosaurs, performers…

Better yet, I met interesting people, and learned a lot.

Looking forward to 2014. I will spend the last day of the year with my son, and friends.

I wish you a Happy New Year!

New photography Pinterest boards

I have set up a collection of Pinterest boards that you may find useful:

• Do-It-Yourself (DIY) photography equipment
• Film Noir & Horror (A mood board for a project currently in progress)
• How to build creatures and monsters
• How to create superheroes
• How to make smoke effects
• Pixelmator tutorials

These are links to things I myself find interesting and useful. I hope you do to.

You might want to follow the boards you are interested in, because I will update them with new material whenever I find something noteworthy. I will also add links to my own tutorials.

Going Medieval

A blacksmith at work. The scene was created by the production company Kompani Bastard.

I was at the Liseberg amusement par yesterday. While my son enjoyed the rides, I was more interested in the medieval market. I liked the way it was done, with a lot of attention to detail.

When you are in the audience, you can't control the light as you would on a real shoot. I had to stick to a single flash. I could not position it the way I wanted, so I left it on my camera.

Even with these limitations, there is a lot you can do:

• Bounce the flash! The tent had a white ceiling, so I used it to bounce the light from the flash.
• If you want to shoot a scene from the dark ages, particularly, a night scene, don't make it too bright! I used 1/8-1/4 power. This was enough for me to light the scene at 1/60s, f/6.3, and ISO 320, but it still left some ambient light. The ambient light was important, because it created the mood for the scene.
• Color the light! Since this was a forge, I used a 1/2 CTO gel on the flash to warm the light.
• Post process! In post, I reduced the glare from the bare flash. I simply cropped away some reflections, and burned (darkened) the brightest surfaces. I also cloned out some objects at the edge of the frame.
• Take lots of different pictures! Even though I just walked by this scene, I shot more than a dozen pictures. If it had been a real shoot, I would have shot a couple of hundred, or more.

Now, go out, shoot, and have fun!

Photo meeting at Caratira's

Emma and Ida Stranne were the models for the evening.

I visited a photography group in Sjövik yesterday evening. The group, led by Mia Johansson of Caratira's Kennel, has been active, very active, for quite awhile. They have made zombie and fantasy photography a specialty. The group is run as a study circle, and the members range from experienced photographers to beginners.

If you have followed this blog, you may have noticed fantasy and trick photography are recurring theme here. I recently started a photography group in Gothenburg that does similar things. Thanks to the Internet, it did not take us long to discover we had similar interests.

Mia and her group were doing a Clown and Mannequin shoot, and Mia asked me if I would join them. Of course, I could not miss such an opportunity. Sinikka Eriksson, who is a member of both groups, and I went to Sjövik for the shoot.

We were greeted by Mia, the models Emma and Ida Stranne, Mia's daughter Casandra, who handled most of the makeup, and several photographers.

Sad clown.

There were strobes in the studio of course, but I opted to go with my hotshoe flashes instead. I usually have 1/4 CTO gels on when I shoot people, but because both Emma and Ida were painted white, I went without them this time.

I used two flashes. I zoomed the back light to 24mm to spread the light a bit, and put a speed grid on the key light to get a very narrow beam. 

Then, I recruited Mia and Sinikka as assistants. I asked Sinikka to hold the key light at about 4:30 o'clock, and Mia to hold the back light at about 01:30. (I use the clock system to position lights. Michael Zelbel has a made a video about it. There is some nudity in the video, but the clock system works when everyone keeps their clothes on too.)

By positioning both light's on Ida's right side, I would get the hat well lit. A third flash at 10:30 would have given more separation from the background, but there were many people who were waiting to shoot, and I did not want to hold things up.

Clown Noire.

 My main objective was to experiment with the shadow from Ida's hat. I have somewhat lose plans for a noir style shoot of my own, and getting the shadows right are very important.

When shooting Emma, I moved the backlight to 10:30. That made the angle between key and back light 180°. That way, a little light fell on her bowknot.

Since I had the opportunity, I went for one more thing: Enraged clown! Next time, I will post a tutorial on how I did it.

How to tell a simple story with a photo

Here is a small challenge: Look at your living room table, and see if you can tell a story by taking a single photo, using only what is on the table.

Here are a few tips:

• Suggests action! In the picure above, the cup of coffee suggests someone drinking it. The business cards and the folder suggests that someone working, while having coffee. The impression is enhanced by the stack of papers in the upper right corner.
• Keep it simple! I use four objects, which is the maximum a human brain can process at the same time. Two of those objects are stacks of other objects, but that is okay, because the brain treats them as stacks. I blurred them and overexposed them on purpose, to make them blend in with the white table.
• Pay attention to details! I swept crumbs off the table. Removed a tablet, and made a new cup of coffee without milk. I normally use milk in my coffee, and I was having a cup when inspiration struck. However, milk and coffee does not look as good as it tastes, and the inside of the mug was stained by the coffee. So, after the first test shot, I made new coffee, and cleaned the cup. You can see the first shot in the pile of photos below. It is quite different from the rest.
• Focus on one thing! Lead the eyes to one thing in the photo. In this case, the cup of coffee. There are several ways you can do that. I used the rule of thirds, a very shallow depth of field, and I deliberately overexposed the photo quite a bit. 

• Take a lot of photos, and vary the set-up! As you can see, I shot several photos, with different exposures, and different arrangements of the cup, business cards, and folder. I actually did two shoots, because I took a break after a few pictures, and had a look at them in my computer before shooting a second series. I did not vary the shooting angle much, but that is because I wanted to hide the edges of the table. I also wanted to stick with my Samyang 85mm lens, because I want to practice with it as much as possible.
• Post process! Even for a quickie shoot like this, I did some quick clean-up, cropped the photos, and removed some color aberration. The resulting photos were a lot better than the unprocessed originals.

Shooting a cup of coffee is not as exciting as shooting partying superheroes, ghosts,  or a stunningly beautiful model, but it is fun, and good practice for those other occasions.

Try shooting a little bit every day. Snapshots don't count. Shoot something you have to think about, before, during, and after the shoot.

The team-up

I love shooting superheroes. Normally, I'd shoot Spiderman and Batman quite differently: Batman is a creature of the night, Spiderman is a daytime hero. However, for this team-up, the shadows won out.

This is a composite. I shot Spidey and Batman on the same occasion, but we had to cut the session short, so I didn't get to shoot them together, this time around.
We had this nice, long corridor, flashes and a speed grid, but no umbrellas, so it was a hard light kind of event.

Batman and Spiderman are from Superheroes against cancer. I have photographed them on several occasions now, and look forward to doing it again.

Photo sit: Shooting ghosts and talking about photo books

Teamwork: Sinikka Eriksson has a large mug of coffee while a ghostly Ulf Bodmar sneaks up. Stefan Kroll pressed the camera trigger, while  Akram Ahmet and I handled flashes with snoot and speed grid. Shutter time: 4.0s, f/22.

It's a simple idea: Use Facebook and Google+ to bring a group of photography buffs together, and use whatever we bring, or can find on the premises, to experiment and learn.

The idea was born during a very rainy Drink-and-Click meeting some months ago. We hid from the rain in a restaurant, and everyone sat and did nothing, except looking out at the pouring rain. 

If you live in Gothenburg, you live with a lot of rain, so I knew this would be sure to happen again. I love photo walks and Drink-and-Click, but those are mostly about street photo. I wanted something that would let me develop my other interests, ranging from portraiture, to trick photography, to macro, and other things. And, I wanted to be warm and cozy, even if it did rain.

From the first photo meet up: The magical diamond.

For the first meeting I brought a "diamond". The task was to take a photo of the diamond emitting a magical field of force.

At the second photography meet up, the themes were ghosts, and photography books. the meet up was at Condeco, a café in Gothenburg to talk, have coffee, and experiment with photography.

Like the first time, the experimenting with photography part soon took over. Who has time for coffee, when there are things to shoot?

Just a couple of hours before the shoot I went to a party store and bought a cheap skull mask. A quick inventory among us yielded a few interesting objects: a knife and a book shaped phone shell.

Getting in close often makes a photo more interesting by hiding parts of objects. It also reduces the depth of field. The skull mask is a lot more interesting because it is out of focus and only partially visible. The flash was set to -3 EV. I wanted the flash to help the ambient light along a bit, not overpower it. I used a speed grid on the flash to avoid light spilling where I did not want it.

These get togethers are a bit like Open Space sessions at conferences: Anyone can come up with an idea. If people like it, we'll do it, if they don't, we won't. The group can work together, or split off in smaller teams that do entirely different things.

We are there to learn and have fun. As long as we do that, what we do, and who takes the lead, does not matter.

This photo was shot with my iPhone 4 and the Lenslight app from Brainfever Media. I took it to show that you do not need a DSLR to be in on the fun.

It's like a photo walk, except without the walking. Of course a DSLR and a ton of gear can be useful, but you do not need it. A camera phone is good enough. It is not about the gear you buy, it's about the gear between your ears: Imagination, a sense of humor, and a learning mindset is all you need.

Actually, you do not even need a camera. We want to get in touch with models, MUAs, cosplayers, lighting experts, stylists, and other people who would enjoy creating stuff together.

After the second meeting, I created a Facebook group to make it easier for interested people to keep in touch. Until now, we have posted our photos in the events created for the meet ups. By posting to the group instead, we can make a more permanent record of the things we do.

I am working on a photo book, and some of the photos from these events will almost certainly work their way in.

If you live in the Gothenburg area, you are welcome to join up. If you do not, why not create a local group? If you do, get in touch with me on Facebook or Google+, so we can link up the groups and exchange ideas and photo themes.